Illusion Love Girl English
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Mate Sweets Standalone Fan Disc, 2. February 2. 00. 9Jink Shjo 3 Artificial Girl 3, 3. November 2. 00. 7. Jink Shjo 3 Privilege Disc Bonus Disc, Jink Shjo 3 Hannari Expansion, 2 June 2. Jink Shjo 3 Hannari Privilege Disc Expansion Bonus Disc, Hako Box, 1. October 2. Home Mate 2. May 2. Yuusha kara wa Nigerarenai You cant escape from the heroine, 2 October 2. Real Kanojo Real Girlfriend, 1. February 2. 01. 0School. Mate 2 2. 5 June 2. Sexy Beach Zero 2. October 2. 01. 0Jink Gakuen Artificial Academy, 1. June 2. 01. 1WakeariThis article is about the card. For the Alignment, see Illusion Magic Alignment. For the Type. La Grande Illusion also known as Grand Illusion is a 1937 French war film directed by Jean Renoir, who cowrote the screenplay with Charles Spaak. November 2. 01. 1Love Girl 2. February 2. 01. 2Ore ga Shujinkou Im the Hero, 2. May 2. 01. 2Happy End Trigger 1. Coso Framework 2013. October 2. 01. 2Premium Play Darkness 2. January 2. 01. 3. Premium Studio Pro Disc Add On Expansion, 1. April 2. 01. 3Musumakeup July 2. Immoral Ward 1 November 2. Real Play 7 March 2. Jink Gakuen 2 Artificial Academy 2, 1. June 2. 01. 4. Jink Gakuen 2 Append Set Add on, 2. August 2. 01. 4Jink Gakuen 2 Append Set 2 Add on, 3. October 2. 01. 4Harem. Mate 2. 6 December 2. Playclub 2. 4 April 2. Playclub Studio Disc Add on Expansion, 1. July 2. 01. 5Sexy Beach Premium Resort 1. September 2. 01. 5Sekurosufia Secrosphere, 2. April 2. 01. 6Honey Select Honey Select, 9 September 2. Honey Select Party Add on Expansion, 2. April 2. 01. 7Kanojo. VR 2. 7 February 2. Play. Home 1. 3 October 2. ReferenceseditExternal linksedit. La Grande Illusion Wikipedia. La Grande Illusion also known as Grand Illusion is a 1. French war film directed by Jean Renoir, who co wrote the screenplay with Charles Spaak. The story concerns class relationships among a small group of French officers who are prisoners of war during World War I and are plotting an escape. The title of the film comes from the book The Great Illusion by British journalist Norman Angell, which argued that war is futile because of the common economic interests of all European nations. The perspective of the film is generously humanistic to its characters of various nationalities. La Grande Illusion is regarded by critics and film historians as one of the masterpieces of French cinema3 and among the greatest films ever made. Orson Welles named La Grande Illusion as one of the two movies he would take with him on the ark. Empire magazine ranked it 3. The 1. 00 Best Films Of World Cinema in 2. During the First World War, two Frenchaviators, the aristocratic Captain de Boeldieu Pierre Fresnay and the working class Lieutenant Marchal Jean Gabin, set out on a flight to examine the site of a blurred spot found on photographs from an earlier air reconnaissance mission. They are shot down by a German aviator and aristocrat, Rittmeister von Rauffenstein Erich von Stroheim, and both are taken prisoner by German ground forces. Upon returning to base, Rauffenstein sends a subordinate to find out if the aviators are officers and, if so, to invite them to lunch. During the meal, Rauffenstein and Boeldieu discover they have mutual acquaintancesa depiction of the familiarity, if not solidarity, within the upper classes that crosses national boundaries. Boeldieu and Marchal are then taken to a prisoner of war camp, where they meet a colorful group of French prisoners and stage a vaudeville type performance just after the Germans have taken Fort Douaumont in the epic Battle of Verdun. During the performance, word arrives that the French have recaptured the fort. Marchal interrupts the show, and the French prisoners spontaneously burst into La Marseillaise. As a result of the disruption, Marchal is placed in solitary confinement, where he suffers badly from lack of human contact and hunger ironically, the fort changes hands once more while he is imprisoned. Boeldieu and Marchal also help their fellow prisoners to finish digging an escape tunnel. However, just before it is completed, everyone is transferred to other camps. Because of the language barrier, Marchal is unable to pass word of the tunnel to an incoming British prisoner. Boeldieu and Marchal are moved from camp to camp, finally arriving in Wintersborn, a mountain fortress prison commanded by Rauffenstein, who has been so badly injured in battle that he has been promoted, but given a posting away from the front, much to his regret. Rauffenstein tells them that Wintersborn is escape proof. At Wintersborn, the pair are reunited with a fellow prisoner, Rosenthal Marcel Dalio, from the original camp. Rosenthal is a wealthy French Jew, a naturalized French citizen, the son of a Polish father and a Danish mother, who generously shares the food parcels he receives. Boeldieu comes up with an idea, after carefully observing how the German guards respond to an emergency. He volunteers to distract the guards for the few minutes needed for Marchal and Rosenthal to escape. After a commotion staged by the prisoners, the guards are ordered to assemble them in the fortress courtyard. During the roll call, it is discovered that Boeldieu is missing. He makes his presence known high up in the fortress, drawing the German guards away in pursuit. Marchal and Rosenthal take the opportunity to lower themselves from a window by a homemade rope and flee. Rauffenstein stops the guards from firing at Boeldieu with their rifles and pleads with his fellow aristocrat to give himself up. Boeldieu refuses, and Rauffenstein reluctantly shoots at him with his pistol, aiming for his legs but hitting him in the stomach. Nursed in his final moments by a grieving Rauffenstein, Boeldieu laments that their usefulness to society as aristocrats will end with this war. He also pities Rauffenstein, who will have to find a new purpose in the emerging social order. Marchal and Rosenthal journey across the German countryside, trying to get to nearby Switzerland. Rosenthal injures his foot, slowing Marchal down. They quarrel and part, but then Marchal returns to help his comrade. They take refuge in the modest farmhouse of a German woman, Elsa Dita Parlo, who has lost her husband at Verdun, along with three brothers, at battles which, with quiet irony, she describes as our greatest victories. She generously takes them in, and doesnt betray them to a passing German army patrol. Marchal begins to fall in love with her, and she with him, but he and Rosenthal eventually leave from a sense of duty to the war effort after Rosenthal recovers from his injury. Marchal declares his intention to come back for Elsa and her daughter, Lotte, after the war. A German patrol sights the two fugitives crossing a snow covered valley. The soldiers fire a few rounds, but then the patrol leader orders them to cease fire, saying the pair have crossed into Switzerland. We last glimpse them from a distance, trudging through deep snow, their future uncertain. Jean Gabin as Lieutenant Marchal, a French officer, of modest social background. Marcel Dalio as Lieutenant Rosenthal, a French officer, of nouveau riche Jewish ancestry. Pierre Fresnay as Captain de Boeldieu, a French regular officer and aristocrat. Erich von Stroheim as Captain later Major von Rauffenstein, a German regular officer and aristocrat. Dita Parlo as Elsa, a widowed German farm woman. Julien Carette as Cartier, the vaudeville performer. Gaston Modot as an engineer. Georges Pclet as an officer. Werner Florian as Sgt. Arthur. Jean Dast as a teacher. Sylvain Itkine as Lieutenant Demolder. Splinter Cell Chaos Theory Download Highly Compressed. ProductioneditAccording to Renoirs memoirs, Erich von Stroheim, despite having been born in Vienna, Austria then the Austro Hungarian Empire did not speak much German and struggled with learning the language along with his lines in between filming scenes. The exteriors of Wintersborn were filmed at the Upper Koenigsbourg Castle in Alsace. Other exteriors were filmed at the artillery barracks at Colmar built by Wilhelm II and at Neuf Brisach on the Upper Rhine. An early script version of La Grande Illusion had Rosenthal and Marchal agreeing to meet in a restaurant at the end of the war. In the final scene, everyone there would be celebrating the armistice, but instead of these men, there would be two empty chairs at a table. Note 1Political and historical themeseditRenoir used the First World War 1. Europe as it faced the rising spectre of fascism especially in Nazi Germany and the impending approach of the Second World War 1. Renoirs critique of contemporary politics and ideology celebrates the universal humanity that transcends national and racial boundaries and radical nationalism, suggesting that mankinds common experiences should prevail above political division, and its extension war. On the message of La Grande Illusion, Renoir himself said, in a film trailer, dating from the re release of the film in 1. La Grande Illusion is a story about human relationships.